Your assignment is to write a 1250-1800 words paper on one of the following topi
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Your assignment is to write a 1250-1800 words paper on one of the following topics. You are expected to cite at least five reputable, scholarly sources (outside of the course text) in supporting your thesis on your chosen topic.
Please follow these Guidelines:
Use MLA format for your documentation and paper formatting. (You may use APA, if that is what you are more familiar with in your discipline. Note which format you are using at top of paper.)
Cite, quote and paraphrase ethically and correctly. No more than 5% of your paper may be made up of quoted material.
Include examples of art works to support your analysis. If you would like to include images in your paper, they must be properly captioned and cited.
Use the art elements and design principles vocabulary in your writing.
Submit your paper as an attachment in MS Word format
Topic 5: Photography’s Influence on Art
Discuss the influence of photography on the art of the late 19th and 20th centuries, citing specific uses of photography. Discuss the shifting and sharing of the functions and purposes of art by painting, drawing, and photography. Include the impact of photography on painting. Recommended resources: Early Documentary Photography (2004). Heilbrunn Timeline of Art History, Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/toah/hd/edph/hd_edph.htm Hostetler, L. (2004). The New Documentary Tradition in Photography. Heilbrunn Timeline of Art History, Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/toah/hd/ndoc/hd_ndoc.htm
Photography and the Civil War (2004). Heilbrunn Timeline of Art History, Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/toah/hd/phcw/hd_phcw.htm Eklund, D. (2004). Conceptual art and photography. Heilbrunn Timeline of Art History, Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/toah/hd/cncp/hd_cncp.htm Rooseboom, H., & Rudge, J. (2006). Myths and Misconceptions: Photography and Painting in the Nineteenth Century. Simiolus: Netherlands Quarterly for the History of Art, 32(4), 291-313. Retrieved from http://www.jstor.org.nuls.idm.oclc.org/stable/20355339